546 Free Images of Hand Colored Aquatints

aquatint prints in the yale center for british art yale center for british art thomas rowlandson romanticism hand-colored etching and aquatint national gallery of art prints in the national gallery of art (washington, d.c.)edward duncan paper daniel thomas egerton

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Hunting, Shooting, etc. [set of six]: 3. "Throw the board ditch behind you", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken

aquatint prints in the yale center for british art henry thomas alken

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

The Enterprize Steam Vessel, passing through Madras Roads, Theodore Henry Adolphus Fielding, 1825

aquatint prints in the yale center for british art theodore henry adolphus fielding

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

A pair: H. Alken's Illustration of Modern Prophecy, or Novelty for the Year 1829, Henry Thomas Alken

aquatint prints in the yale center for british art henry thomas alken

Racing [set of four]: The High Mettled Racer. 1. The Racehorse, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Racing [set of four]: The High Mettled Racer. 3. The Hack, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

Racing [set of four]: The High Mettled Racer. 4. The Cart-horse, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Racing [set of four]: The High Mettled Racer. 2. The Hunter, John Hassell, 1789

aquatint prints in the yale center for british art john hassell (artist)

Hunting, Shooting, etc. [four of a set of six, untitled]: 1.Going out of Kennel, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Botheration, Thomas Rowlandson, 1793

prints in the national gallery of art (washington, d.c.)romanticism

Running, Thomas Rowlandson, published 1804

etchings in the national gallery of art (washington, d.c.)romanticism

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Fox-hunting [set of four]: 4. Return from the Chase. / Scene at Eaton, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest, James Pollard, 1820

aquatint prints in the yale center for british art james pollard

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Hunting, Shooting, etc. [four of a set of six, untitled]: 6. Going Home, Samuel Howitt, 1802

aquatint prints in the yale center for british art samuel howitt

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, 1823

aquatint prints in the yale center for british art daniel thomas egerton

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition., James Gillray, 1795

aquatint prints in the yale center for british art james gillray

London Docks: 6 Views: New Dock, Wapping, 1803, William Daniell, 1808

aquatint prints in the yale center for british art william daniell

Two of a set of six: 2. Wood-Cock Shooting., Robert Dodd, 1790

aquatint prints in the yale center for british art robert dodd

La petite Sirène, Malo-Renault, circa 1915

etchings by émile malo-renault 1910s etchings

Comforts of Bath, Plate 7, Thomas Rowlandson, 6 January 1798

satirical art works romanticism

A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, Isaac Robert Cruikshank, after 1820

aquatint prints in the yale center for british art isaac robert cruikshank

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing, James Gillray, 1805

aquatint prints in the yale center for british art james gillray

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Mr. Bullock's Exhibition of Laplanders, Thomas Rowlandson

prints in the national gallery of art (washington, d.c.)romanticism

Rustic Courtship, Thomas Rowlandson, 1785

prints in the national gallery of art (washington, d.c.)romanticism

Bookseller and Author, Thomas Rowlandson, 1784

prints in the national gallery of art (washington, d.c.)romanticism

A Penny Barber, Thomas Rowlandson, 1789

prints in the national gallery of art (washington, d.c.)romanticism

The Overdrove Ox, Thomas Rowlandson, 1787

prints in the national gallery of art (washington, d.c.)romanticism

Grog on Board, Thomas Rowlandson, 1789

prints in the national gallery of art (washington, d.c.)romanticism

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Kanonen, Hans Nikolaj Hansen, 1909

prints by hans nikolaj hansen in the statens museum for kunst coldpoint and aquatint

The Long Room, Custom House (Microcosm of London, plate 28), Augustus Charles Pugin, 1 July 1808

aquatint prints in the metropolitan museum of art microcosm of london, volume 1

Hunting, Shooting, etc. [set of six]: 2. "Him from his craggy winding haunts unearth'd", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Fox-hunting [set of four]: 3. Fox Chase / Scene near maidenhead thicket, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

Hunting, Shooting, etc. [set of six]: 6. "For happy he who tops the wheeling chace", Samuel Howitt, 1794

aquatint prints in the yale center for british art samuel howitt

Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1), James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Lere vue d'Aigleville, Colonie du Texas ou Champ d'Aslie, Jean-François Garneray, circa 1830

aquatint prints in the yale center for british art jean-françois garneray

Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

Resurrection, or The Frighted Nurse, Thomas Rowlandson, 1784

prints in the national gallery of art (washington, d.c.)romanticism

The Consultation, Thomas Rowlandson, published 1785

prints in the national gallery of art (washington, d.c.)romanticism

Fox-hunting [set of four]: 2. Stag at Bay. / Scene near Taplow Berks, Thomas Rowlandson, 1801

aquatint prints in the yale center for british art romanticism

The Course, Thomas Rowlandson, probably 1789

prints in the national gallery of art (washington, d.c.)romanticism

Four O'Clock in Town, Thomas Rowlandson, 1788

prints in the national gallery of art (washington, d.c.)romanticism

A Squall in Hyde Park, Thomas Rowlandson, 1791

prints in the national gallery of art (washington, d.c.)romanticism

Villa, Gabriel Lory, 1811

prints in the national gallery of art (washington, d.c.)aquatint prints

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

'Motherhood, Holland', etching, aquatint hand-colored with watercolor by Charles W. Bartlett, 1912, Charles William Bartlett

charles w. bartlett in the honolulu museum of art intaglio prints by charles w. bartlett

'Kerbo, fra vejen mellem Bragnæs og Christiania', Heinrich August Grosch

prints by heinrich august grosch in the statens museum for kunst hand colored aquatint

Alessandro Sanquirico - Interno del Santuario (set design for the opera 'Semiramide' by Rossini, La Scala, 1824) (cropped), Alessandro Sanquirico, circa 1827

scenographies by alessandro sanquirico teatro alla scala scenic design

The High-Mettled Racer, Samuel William Fores, 20 July 1789

the elisha whittelsey collection samuel william fores

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3, George Cruikshank, 1820

aquatint prints in the yale center for british art etchings by george cruikshank

Halifaxviewfromdavismill, George Isham Parkyns

halifax, nova scotia etchings

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

Place de Meir at Antwerp, Thomas Rowlandson, 1797

prints in the national gallery of art (washington, d.c.)romanticism

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls.", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

Cattle Not Insurable, Thomas Rowlandson, published 1809

prints in the national gallery of art (washington, d.c.)romanticism

A Bawd on Her Last Legs, Thomas Rowlandson, 1792

prints in the national gallery of art (washington, d.c.)romanticism

[Key to plate 2] Steeple-chasing [set of six]: St. Albans Grand Steeple Chase. 8 March 1832, Charles Bentley

aquatint prints in the yale center for british art charles bentley (painter)

[Fox-hunting] set of four: (3) Full Cry / Hounds Crossing the Brighton Road at Mersham, Dean Wolstenholme the younger

aquatint prints in the yale center for british art dean wolstenholme jr.

Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet, James Gillray, 1798

aquatint prints in the yale center for british art james gillray

Kick Up at a Hazard Table, Thomas Rowlandson, circa 1787–90

william holland (publisher)romanticism

'Christiansborg, a Danish Settlement on the Gold Coast, Africa', John Hill, 1806

prints by john hill (artist) in the statens museum for kunst hand colored aquatint

The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni, James Gillray, 1794

aquatint prints in the yale center for british art james gillray

View of the Intersection Bridge on the line of St. Helen's & Runcorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane, Edward Hughes, 1832

aquatint prints in the yale center for british art pre-raphaelite brotherhood

Noël Paymal Lerebours 04 Paris, 1842

19th-century etchings noël paymal lerebours

The Monkey Room in the Tower, Thomas Rowlandson, published 1799

prints in the national gallery of art (washington, d.c.)romanticism

The Lawyers Last Circuit, Thomas Rowlandson, published 1802

prints in the national gallery of art (washington, d.c.)romanticism

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter", James Gillray, 1806

aquatint prints in the yale center for british art james gillray

The High-Mettled Racer, John Hassell, between 1789 and 1812

the elisha whittelsey collection john hassell (artist)

[Fox-hunting] set of four: (4) Fox run to Earth / View of Popes Pit, Near Walton Heath, Dean Wolstenholme the younger

aquatint prints in the yale center for british art dean wolstenholme jr.

Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823,..., Edward Duncan, 1840

aquatint prints in the yale center for british art edward duncan

[Fox Hunting] A Pair: The Cock-Tails Done / Fifty Minutes in the Vale of Blackmore and Twenty on the Hills / Without a Check..., Henry Thomas Alken, 1834

aquatint prints in the yale center for british art henry thomas alken

[Fox-hunting] set of four: (2) Fox Breaking Cover / At Upper Gatton Seat of the Duke of St. Alban's, Dean Wolstenholme the younger

aquatint prints in the yale center for british art dean wolstenholme jr.

Jonge vrouw met waaier, RP-P-OB-38.267, Edoardo Tofano, between 1848 and 1920

edoardo tofano orientalism

A Kick-up at a Hazard Table, Thomas Rowlandson, published 1787

prints in the national gallery of art (washington, d.c.)romanticism

Courtship in Low Life, Samuel Alken, 15 December 1785

the elisha whittelsey collection samuel alken

Alessandro Sanquirico - Sotterraneo (set design for opera 'Elisa e Claudio' by Saverio Mercadante, 1821) (cropped), Alessandro Sanquirico, circa 1827

scenographies by alessandro sanquirico elisa e claudio

The Triumph of Hypocrisy, Thomas Rowlandson, 11 January 1787

samuel collings romanticism

Alessandro Sanquirico - Prigione sotterranea (set design for opera 'Ciro in Babilonia' by Rossini - Milan, 1818) (cropped), Alessandro Sanquirico, circa 1827

scenographies by alessandro sanquirico teatro alla scala scenic design

Niagara Falls from Foot of Staircase, William James Bennett, 1829

prints in the national gallery of art (washington, d.c.)john hill (artist)

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